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This is a photo of a JTM-45/100, but it’s the same headbox used for the early Super Leads Back of a Marshall Super Lead I think you are all familiar with this amp. If you want to hear this amp, listen to any Free live performance.Paul Kossoff was the man who really knew how to use these.
The JTM-100, now with four EL-34s too, also gained a proper 100w transformer. It was called Marshall Super Lead 100w #1959 (Although they still didn’t have the “JMP” mark on the front, In my view, this amps are already into the JMP territory, because they have all of the JMP characteristics). This early “Plexi” versions (up to 1968) are really articulate and have a real nice “roar”.But it also had the characteristic smoothness of the tube rectifier.For this reason, this amp is known today as the JTM-50.So, always keep your eyes open for “fishy” deals, look for information, and always ask for high definition photos (especially from the interior of the amps – the circuit, the tubes and transformers) to make sure everything is right.If you don’t have much experience (myself included, to be honest : P), I recommend asking help from the members here of the community.
But many guitarrists also decided to try those and they found out that they could get really interesting tones with them. If you thought a Marshall Super Lead was already too loud. Blackmore’s amps had extra power tubes, making it even more powerful, as well as extra gain stages. They are easy to tell apart because the two extra knobs (“speed” and “intensity”) on the front panel.